Documents from 1976
Left and right brain hemispheres and their effect on creativity, Catherine Hraber
Discover town centers: educational urban information, Jeffrey Huff
Painted Motion, Joseph Litow
Urban Landscapes, Albert Robbins
The Development of Type Forms, Wayne Roth
Buteo Jamaicensis: The Red Tailed Hawk, Richard Sensenbach
Development of an Identity Program for the International Narcotics Control Board, United Nations, Geneva, Switzerland, Elizabeth Simon
Ash glazes, local slip glazes and once fire process, Howard Skinner
Documents from 1975
Figurative Forms, Sue Ann Bucholz
The Landscape, 1975, John Cox
Inherent Rhythms in Nature, Wendy Forrest
The Hare Krishna People (a 30 minute documentary 16mm film), John Griesser
Journal - September, 1974 - February, 1975, Thomas Jagger
Illuminated Porcelain Forms, Janet Kellner
Cannibles Sauvages, Eric Mache
Containers: Architectural Forms, Timothy Martin
My Life and Times in Rochester, Leslie Miller
A graphic identity program for Rochester Mental Health Center, Linda Patterson
Theology in Art, Roger Richardson
Rap and Produce: A Thematic Communication Program, Paul Schulte
Illuminations, Fred Strebeck
A communication program for the Comprehensive Regional Development Plan, Steven Tagg
Documents from 1974
The Unified Figure/Ground Relationship, Christopher Baker
Postwar vignettes, Dana Brown
Design seminar, Clifford Bull
Figurative Tapestry, Lynne Bull
A philosophical and psychological examination of aesthetic choice, Elaine Castiglione
Master's Thesis, Susan Childs
Doing portraits on the street or I remember Goya, Robert Clarke
Communication of the Master Site Plan of Rochester Institute of Technology, Barbara Ewig
Say It With Flowers, Jack Farkas
Two Studies in Animation, Irene Feingold
The Magnificent American, Stanley Feingold
One of ten thousand: a way for the printmaker; thoughts and images related to involvement in Zen Buddhism, C. Alan Fisher
Notes on Liberation, Phillip Garbus
Environmental Communications, Lee Green
Soft celadon slabs, Joan Johnson
The position of women artists within the aesthetic community, Ann Kalmbach
Reflections, Tana Kellner
Loose Vowels, Peggy Klineman
Self, Peter Knickerbocker
Handicapped Independence, Dale Landon
The Setting Up of an Introductory Woodworking Course and Basic Shop, H. Wayne Raab
Contemporary costumes, Martha Sklepko
Documents from 1973
Creating theme bedspreads through loom and non-loom techniques, Cindy Chal
Suspended Forms in Clay, Carol Furioso
The Fine Line, Giorgio Furioso
Basketry Sculpture, Laura Glazier
M.F.A. Painting Thesis, John Michael Harris and Rebecca Fogg
The University Studio, Michael James
To Stuff, or Not to Stuff, Pamela Manahan
Polarities, Barbara A. Smith
An accounting system for the artist, designer, and craftsman, Toby Thompson
Birth: An Interpretation, Gail Vick
Documents from 1972
Painter Symbol and Science, Ronald Berger
A handbook of intaglio techniques, David Dickinson
Sculptural and functional explorations in wood and metal, Scott Gilliam
Thesis Diary: September 1971- May 1972, Bonnie Johanna Gisel
Plastics in Art, Patricia Hincks
Printmaking: a phenomenological art, Nancy Keehn
Landscape Forms, Colleen Kuntz
The Evolution of the Crafts from Function to Pure Sculpture, Elaine Martin
The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols, Paul Porter
Liberated Paintings, Susan Russo
The Exploration of Light as a Means of Expression in the Intaglio Print Medium, Mary Vasko
Documents from 1971
Black faces and their emotions, Margaret Anderson
The Shoreline, Yosaif Cohain
My Daughter Tisha and Our Art, Catherine Jepson
The Search for the Mystic Element in Weaving, Nasrin Keyhan
A study of zoomorphic abstractions with raku sculpture, Andrew Krouse
The Patient as Object, Mitchell Payne
Teilhard de Chardin's Mass on the World, Mary Stover
Documents from 1970
Photo Extensions by a Painter, Catherin Berger
The Pilgrimage of Geoffrey Chaucer's Canterbury Tales, Winifred Bixler
Flat Monumentality, Theodora Cichy
The Stunting of Creative and Mental Growth; or, the Evolution and Pollution of Ideas, Nelson Dodson
Familia, Maria Emerson
The Function of Flat Shape in Painting, Marla Friedrich
The Investigation of Sculptural Forms, John Frisenda
Personal Imagery and Paint, Stuart Green
Figurative Painting and the Photograph, Thomas Insalaco
Parasitic pleasure-craft, Anthony Jachimowicz
Decorative ceramics for architectural applications, Robert J. Jarvis
Problems in Perception: The Role of Art in Special Education, Patricia Koch
Natural Forms in Abstract Painting, Teresa Patti
Contemporary religious graphic design, Vlasta Paul
Visual Metaphors, Bonnie Gordon Pfahl
Photographic Dependence/Independence, Patricia Porcynaluk
A study of the holy as an aesthetic phenomenon, Thomas Raterman
Ceramic sculpture and sculptural containers, William Rodler
Painting into Space, Natalie Schwartz
Fact and Illusion in Painting, Patricia Sennett
The Design and Development of a Professional Super-8 Movie Camera, Donald Simonini
Ceramic tea service, Patricia K. Swyler
An individual analysis of the photography-painting relationship, Lawrence White
Documents from 1969
Certain relationships between painters of the Mannerist School and selected contemporary painters, Phillip Duell
Stoneware and porcelain fireplaces, Rick E. Flannery
New Concepts in Illustration Techniques for the Printed Media, David Folkman
Eroticism, Dream Imagery and Symbolism, Denny Immergut
Development of a Series of Geometric Shaped Canvas Paintings, William Johnston
