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Documents from 1983

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Electroplating and electroforming as an Artists' Medium, R Lisa Toser

Documents from 1982

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Constructs, Pamela Jean Burg

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"Letters", Rose Butler

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Accretion: Idea, Expression, and Humanism., Mary Campbell

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The Influence of Merleau-Ponty, James Davis

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Palette and Palate, James Fulmer Jr

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Wearable Art, Elizabeth Garver

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Connected Narratives, Judith Geiger

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The Decorative Imperative, Harriet Jaffie

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Aurora Borealis, Carol Luzon

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A software translator for color projection printing, Richard J. Quattrini

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Thesis, George Ring

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Patterned Rugs, Kristin C. Rowley

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Towards a simplification in painting, Monica Smith

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The Aura of Femininity in Art, Linda Smolenski

Documents from 1981

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First light, Dennis Burns

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Felt Vessels, Sherry L. Clark

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Selected influences in painting, Barbara Fox

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Music Education Posters, Edith L. Freedman

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The Graphic Design Career Kit, Sharon M. Heyenck

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Sam's Chance and other essays about art, Mary Lum

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Small scale monumental sculpture, Henry Ponter

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Interpretation of Oriental Consciousness, Yu-ru Yeh

Documents from 1980

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Images in Glass, Douglas Anderson

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The intuitive and the rational, Julie Benjamin

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The Yellow Pages of tourism resources for the Rochester area: A Tourism directory for Rochester and Monroe County, Nancy Jane Cecilia

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Beginnings and Endings, William Cherkin

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Color and the Grid, David Cress

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Making and Its Companions in the Visual Arts, Scott Garrison

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Textile "Floorpieces", Patricia Giordano

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Ask about degree and department)Handwoven Fabrics for Outerwear, Ann M. Gordon

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Three-Dimensional Form and Two-Dimensional Design, Thomas P. Hubert

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Forged sculpture, David Kenney

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Color, raku, and three dimensional space, Barry Kishpaugh

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Encaustic Painting Revisited, Miriam S. Lapham

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Art: Object, Process, and Reflection, Edward Lind

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Signage System for Abuja Internation Airport, Abuja Republic of Nigeria, Hilary G. Marquis

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Chromatic textures of realism, Suzanne Roth

Documents from 1979

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Composite Illusionism, Barry Dalgleish

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A Personal Exploration, Laurie Dill

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Existential Man and the Creative Act, Lisa Finkel

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A spiritual song: a portfolio of multi-process prints, Donald John Forsythe

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The Essence of Reality, Michael Geglia

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Decoration and Form, Holly Jones

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Registration and Energies, Patricia Kinsey

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Glass, Joseph Kivlin

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May I have your attention please?, Priscilla Malone

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Paper Matrix, Janet Ruby

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Energy in Clay Forms, Aviva Schneider

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Obscure Textile Techniques, Nancy Waterhouse

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Handmade Watercolor Paper, Anne Zyla

Documents from 1978

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Cycles and Processes, Linda Brophy

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Shape, Douglas Bull

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The Nude, Catharine Monoki Di Lella

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An Interpretation of Color Fields Through Screen Printing, Mary Dunn

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Sequential Imagery, Richard Elliott

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Artifacts of a Pink Childhood, Elizabeth Feick

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A study of the Algonquin Hotel, Cheryl Jelonek

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The Mystical State, Georgia Kerr

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The Monoprint: Techniques and Translations, Alice Kreit

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An Investigation of the Design and Execution of Large Scale Studio Paintings, Dennis Morgan

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Structural Forms in Stress, Robert Nicoll

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A pursuit of unobtrusive painting: a study of oneself, George Schluederberg

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A printmaker's interpretations in mystery and fantasy, Lois Shaffer

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Superstructures in Wood A Sculptural Application of Woodworking Techniques, Christopher Weiland

Documents from 1977

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A production of discharge prints created with tie-dye/stencilling and their photographic comparisons, Paxton Sholademi Aremu

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A sense of self, Diane Brawarsky

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Illumination, Charlotte Yale Chamberlain

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Color Photographs, Kathleen Collins

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Textile Conservation: Deterioration of Materials, Gayle Corah

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Painting with air, John Eoff

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Christian Art in the Twentieth Century, Jane Fretz

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Visual concepts developed through Kafka, Denise Heischman

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Sculptural Constructions, Robert Kirchmyer

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Mountain, James Kwiatkowski

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Movement of Colors and Forms, Sun Young Lee

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Pepperoni on one half, mushrooms on the other, Tobi Miller

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A communication program for television, James Palmer

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Symbol making and the creative process, Paula Pate

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Animal and other fibers, Anna Polesny

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Art, Dream and Spontaneity, Karen Schory

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On Surface Embellishment, John Shedd

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My Snapshots, Arnold Sorvari

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Structured spacial concepts, James Veatch

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The Frame of a Painting, A Cultural Insight to Man, Robert Whiteside

Documents from 1976

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A Room, Ned Behnke

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The Spatial Installation of Painting, John Benzel

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Window, Mark Bialy

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Porcelain Families, Ingrid Bogel

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Left and right brain hemispheres and their effect on creativity, Catherine Hraber

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Discover town centers: educational urban information, Jeffrey Huff

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Painted Motion, Joseph Litow

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Urban Landscapes, Albert Robbins

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The Development of Type Forms, Wayne Roth

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Buteo Jamaicensis: The Red Tailed Hawk, Richard Sensenbach

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Development of an Identity Program for the International Narcotics Control Board, United Nations, Geneva, Switzerland, Elizabeth Simon

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Ash glazes, local slip glazes and once fire process, Howard Skinner

Documents from 1975

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Figurative Forms, Sue Ann Bucholz

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The Landscape, 1975, John Cox

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Inherent Rhythms in Nature, Wendy Forrest