Documents from 1988
Microcomputer graphic intelligence, Thomas Tillman Shaffner
The Arts and Crafts aesthetic in a contemporary setting, Christopher Wellman Wright
Seaforms, Karen Louise Wright
Documents from 1987
An Illusion of reality, Angela Amato
Energy of the soul, Judith E. Battaglia
Residential renovation: Architecture, history, and interior design, Nancy Chwiecko
Awakening the spirit, Jane Emily Dalton
An Exploration of conscious and instinctive concepts within ceramic sculpture, Pamela Jayne Fayer
Searching, Lisa (Elizabeth) Forster
Pate de verre process, Ann Frellsen
Ornamental fans, Marie Annette Gniazdowski
The corporate identity process: Development & application, Lisa Grande
Test target display, an M.F.A. photography portfolio as applied to optical laser disc, Ronald Joseph Gregory
Music and art : an analogical approach, Donald Groscost
Frame design, Bonnie House
Mosaic in paper, Caroline M. Howell
Between realism and abstraction, Shi-ling Chen Hsiang
Relationships of light and the spirit, Bernadine Wisniewski Koert
The computer as a tool in the ethical development of primary school children, Nancy B. Landau
A statement in pattern, Dennis Earl Maust
A work center for the home, Lauren McDermott
Form and decoration, Geraldine Anne Nash
Images of my mind, Mary Loomis Rickman
Tableware, Rebecca Rupp
Computer imagery and creative energy, Linda K. Saxton
Master of fine arts degree programs marketing and communication programs, Araya Srikanlayanabuth
Documents from 1986
The challenge of functional art, Janice C. Anthony
Persistence of Vision, J Catherine Bebout
When attitudes become form, Elizabeth Coyne
Elementary art education curriculum: The Incorporation of the computers in the art room, Camille Deni
Micro computer animation, Peter Sterling Franks
Felted Constructions, Hollie Heller
Muscle in motion: four of the most common overuse injuries of the bicyclist, Carol France Kalafatic
La bella del interno, M. Renee Kroner
Computer Aided Industrial Design, Chang-Young Lim
Temporal Synergy: multi-system animation of computer generated imagery, Chad List
Genre painting: personal significance of the environment, Leslie Loving
Fiber optic garments, Heather Pedersen
Diverse realities, Julia Dutton Peterson
Fertile ruin, Elizabeth Quackenbush
Moody atmosphere of the self, Kurt Ruff
A sentimental journey, Rose Marie Sherwood
The photographic snapshot, Michael Simon
Nouveau deco, Jodie Traugott
Collage, and transposing space, David King Werberig
Documents from 1985
Attitudes and Evolution; A Profile of My Work, Amy Ellen Anthony
The Image and Its Pot, Gary Baxter
The Romance and Reality of Art and Laundry, Susan Blumendale
A question of reality, Bruce Chapin
The Artist in Society, Ann DeMarle-Pollak
Psychic expression through image-making, Donna De Palma
The Pathological Indications of Diabetes Mellitus, Patricia Gast
A discussion of my work, Lynne Hull
Color: A Semiotic Approach (A Video Tape Presentation), Michele Italiano
Terrestrial Invertebrates of the Virgin Islands, Wendy Jackelow
Structural Metamorphosis, Soo Hong Jahng
How the computer can aid and facilitate traditional graphic design process, procedure, methodology, and curriculum development: A Videotape presentation, Mary Jane Lewandowski
Brief Looks, Mary Jo Llewellyn
Strips, Marlin Minks
Information graphics: A Guidebook to downtown Rochester, New York, Michael Regis Mooney
Anatomical Study and Illustrative Plates of the Dwarf Galago Primate, Hugh Nachamie
Computer generated graphics vs. traditionally rendered illustration: a contrast and comparison, Nancy J. Oyos
A personal statement about space, Manuel Pagan
The painted portrait, Mary Porter
Object with Pattern/Rubberstamps and the Metal Cutout, Joan Riccardi
The Power of Images, Helen Santelli
Nexus: Painting as a Link to a Primary Reality, Karen Sardisco
The Creative Imagination, Dorothy Sholtis
Clouds, Joanne Todaro
Color as a subjective tool of poetic images., Carlos Othoniel Torres
Documents from 1984
The horse: structure and form in nature, Karen Ackoff
Glass in a slump, Peter Andres
Mystery and ambiguity of space, Sister Anne deMare
Ambiguous Environments, Mark A. Dreimiller
Medications, Patti Green
Korean Ikat, Kyung S. Lee
The Visual Box, Candace Lorimer
Tapestries in transition, Dana Berendt Loud
Pastels in oil painting: Experimentation in line quality and tonal areas in a series of figure paintings, Walter Piepke
EMAS, Elton Pride
Ceramic sculpture, Hans Rene Schroder
A View of the creative process influenced by the philosophy of Susanne K. Langer, Robert E. Sitro and Robert Johnston
Seakindly furniture designs for yacht interiors, Steve White
Towards a post modern aesthetic, Barry Yavener
Hindsights, Felix Zapata
Documents from 1983
Cabinet-making and the contemporary imagination, Daniel Bailey
The pot as nurturer: an approach to functional pottery, Marian L. Baker
What every designer should know about visual semiotics: A Videotape presentation, Anne Elizabeth Battle
Interactive computer program, Bruce Howard Browne
Painted Conversations, Deborah J. Felix
Technology in the late twentieth century: humanism versus technocracy, a philosophical inquiry, Peter Moss Handler
Book Design: A Study in Communicating Information Within the Field of Music, Leith A. Harbold
The print as Proustian Madeleine, Brigid A. Mast
Anagenesis: Rebirth of a School into a Residential Facility, Susan Michel
The dream: Artists within universities, James A. Mirabito
The Design and Construction of a Hand Lithography Press, Inexpensive to Make and Easily Transportable, Susan Raab
Design Sketch to Presentation: The Computers' Role, James III W. Ross
Borinquen, Reynaldo I. Santiago Morales
Art Nouveau and Art Deco: Their Decorative Influences, Lorna Secrest
Today's Woman on Canvas, Rebecca R. Sizer
