Abstract
An artist working with traditional materials will use them in accepted ways or, through experimenta tion, will discover new methods. With perception these new methods may be brought to unique and inno vative statement. This paper provides a short history of the ancient technique of painting known as encaustic? it contains a brief summary of certain contemporary artists' uses of encaustic; and, finally, it gives this writer's own contribution of a new concept for painting with encaustic. When the artist utilizes a more intensive burning-in of the colors, it is possible for encaustic to project a totally unique and independent image among the fine art techniques.
Library of Congress Subject Headings
Encaustic painting--Technique
Publication Date
1980
Document Type
Thesis
Student Type
Graduate
Degree Name
Fine Arts Studio (BFA)
Department, Program, or Center
School of Art (CIAS)
Advisor
Sarah Collins
Advisor/Committee Member
Franklyn Schwaneflugel
Advisor/Committee Member
Fred Meyer
Recommended Citation
Lapham, Miriam S., "Encaustic Painting Revisited" (1980). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/6677
Campus
RIT – Main Campus
Comments
Physical copy available from RIT's Wallace Library at ND2480 .L37