Abstract
This thesis, Design History and the Human Experience, is a course which offers a new approach to teaching design history by presenting the material through a historical/popular culture lens. The research and content organizing methodology will show how design is part of a larger context reflecting and creating the culture we live in. When design history includes an emphasis on the historical and cultural contexts, the designer's work takes on deeper meaning and relevance. The underlying philosophy of the thesis, Design History and The Human Experience, argues that design does not occur in a vacuum but emerges from many social, cultural and historical influences. This thesis demonstrates the relationship between design and these influences, and offers a methodology for presenting and teaching the material. The course also takes into account the importance of critical mediation and considers at the circumstances surrounding the critical evaluation of the designers' work, for it is through this evaluation process that certain work is given prominence in design history while other designers go unmentioned.
Library of Congress Subject Headings
Design--History
Publication Date
5-16-2001
Document Type
Thesis
Department, Program, or Center
School of Design (CIAS)
Advisor
Lent, Tina
Advisor/Committee Member
Horowicz, Kari
Recommended Citation
Bodenstedt, Lisa, "Design history and the human experience" (2001). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/6188
Campus
RIT – Main Campus
Comments
Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: NK1175 .B634 2001