Abstract
This text is an accompaniment to an endeavor spanning approximately thirteen months in which I used photographic and literary processes to create documents concerning my history. These nearly universal processes were chosen because of their correlative nature. Images are read in a similar fashion to texts and both facilitate discourse. This thesis is an investigation on a personal level about the manner in which experiences are had, documented, and in many ways conditioned. The photographs that amount to the physical portion of this thesis explore the personally anecdotal within the context of generalized methods of documentation. In this work I discuss how a consciously reflective engagement with particular processes can actively shed light upon, and ultimately proctor, the manner in which experiences are created.
Library of Congress Subject Headings
Photography, Artistic--Themes, motives; Photography, Artistic--Technique; Black-and-white photography; Memory in art
Publication Date
5-19-2009
Document Type
Thesis
Department, Program, or Center
School of Photographic Arts and Sciences (CIAS)
Advisor
Miokovic, Alex
Advisor/Committee Member
Engström, Timothy
Recommended Citation
Super, Andrew, "The Experience of grey" (2009). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/5239
Campus
RIT – Main Campus
Comments
Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: TR655 .S87 2009