Matthew Chung

Abstract

Cars are machines with which we have complicated and ambivalent relations. Automobility considers the car as vehicle in multiple senses: as a vehicle of mobility and constraint, of representation and rituals, of communication and cultural meaning, of production and power, of desire and destruction. The artwork and research are rooted in an examination of my own relationship to the car, of relations I have observed in other people, and an exploration of the spaces, places, and practices designed for cars.

Library of Congress Subject Headings

Installations (Art)--Themes, motives; Video art--Themes, motives; Photography, Artistic--Themes, motives; Wax figures--Themes, motives; Automobiles in art

Publication Date

3-1-2012

Document Type

Thesis

Student Type

- Please Select One -

Department, Program, or Center

School of Photographic Arts and Sciences (CIAS)

Advisor

Ambrogi, Patricia

Advisor/Committee Member

Engström, Timothy

Comments

Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: N6494.I56 C48 2012

Campus

RIT – Main Campus

Plan Codes

IMGART-MFA

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