Nancy Flemm

Abstract

2000 ushered in an era of immediate visibility and messaging, that cultivated an idealized social identity while destroying ones personal identity. who we are isn't as important as how we appear. society greatly encourages a detachment from the self in order to obtain public perfection. sans entre nous' quadrigeminal collection visually dialogues identity struggles depicted through our unconscious sensory reactions. the innovative methodologies of intaglio-type printmaking magnify the subject in depth and texture. by virtue of imagery and medium, sans entre nous succeeds in exemplifying the need for self acceptance.

Library of Congress Subject Headings

Prints--Technique; Prints--Themes, motives; Intaglio printing; Identity (Psychology) in art; Human figure in art

Publication Date

6-1-2011

Document Type

Thesis

Department, Program, or Center

School of Art (CIAS)

Advisor

Wun, Clifford

Advisor/Committee Member

Lightfoot, Thomas

Comments

Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: NE850 .F53 2011

Campus

RIT – Main Campus

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