Abstract
265 Screens documents twenty-nine cinemas across six states which shut down since March 15, 2020. My project blends photography with cinematography set in a darkened space creating an alternative cinematic experience - reflecting on the changing film industry through the rise of digital technologies and what it means to lose these physical spaces that connect us. Digital streaming has made it possible to watch films at home or alone on a mobile device – creating more isolated viewing experiences. This body of work embodies this transition through the blending of the materials used to create the images themselves. The photographs use analog film, scanned to digital files and printed on photographic paper using traditional silver gelatin photochemical processes. The motion picture images are filmed with 16mm celluloid stocks, then presented on state-of-the-art HDR OLED digital monitors. A portion of the footage features hand processed film using alternative eco-friendly chemistry using coffee and plant material. The mixing of these images and techniques frame how I have seen media and society change and the unintended consequences that have resulted from losing our shared experiences, including social isolation and a developing epidemic of loneliness.
Publication Date
4-26-2026
Document Type
Thesis
Student Type
Graduate
Degree Name
Photography and Related Media (MFA)
Department, Program, or Center
Photographic Arts and Sciences, School of
College
College of Art and Design
Advisor
Joshua Thorson
Advisor/Committee Member
Carole Woodlock
Recommended Citation
Casper, Don, "265 Screens" (2026). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/12554
Campus
RIT – Main Campus
