Abstract
This thesis explores the use of surreal imagery and the reimagining of historical subjects as a means to discuss complex ideas of identity. In this exploration, I chose to use the human figure as a vessel for expressing my own intimate viewpoints and experiences. Through a series of paintings, I investigate how the juxtaposition of human forms with non-human elements challenges conventional notions of gender and sexuality to empower marginalized perspectives. My Master’s degree started with my transition from commercial illustration to fine art. The study examines my evolution of thematic and stylistic choices, emphasizing the creation of new works that generated artistic growth. Through the appropriation of historical imagery, my thesis critiques societal norms and fosters dialogue on representation and identity.
Publication Date
12-2024
Document Type
Thesis
Student Type
Graduate
Degree Name
Fine Arts Studio (MFA)
Department, Program, or Center
Art, School of
College
College of Art and Design
Advisor
Clifford Wun
Advisor/Committee Member
Eileen Feeney Bushnell
Advisor/Committee Member
Christina Leung
Recommended Citation
Wu, Keely, "Recast, Reform, Reshape: Surreal Figurative Painting" (2024). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/11945
Campus
RIT – Main Campus