Abstract
To establish a new sense of ownership of the female figure in my studio practice, this thesis investigates the unspoken secondary existence of women implied in the structural systems of both language and portraiture.
Library of Congress Subject Headings
Women in art; Human figure in art; Feminism in art; Chinese characters in art
Publication Date
12-4-2023
Document Type
Thesis
Student Type
Graduate
Degree Name
Fine Arts Studio (MFA)
Department, Program, or Center
Art, School of
College
College of Art and Design
Advisor
Clifford Wun
Advisor/Committee Member
Christina Leung
Advisor/Committee Member
John Aasp
Recommended Citation
Ouyang, Dandong, "From Chinese Language to Female - Him, Humans and Us" (2023). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/11660
Campus
RIT – Main Campus
Plan Codes
FNAS-MFA
COinS
