Abstract
You Know that Feeling You Get Right After You Vomit? Yeah, I Want to Feel That is an ongoing collection of photographic and sculptural components existing as found object mixedmedia such as oranges, wood, flowers, and inkjet prints held by T-pins. Through a surrealistic indulgence of abjection and uncanniness, with an implied bodily violence, this series of work comes to an understanding of time, identity, and existing between social boundaries creating a push and pull to define “in-betweenness”. This contradiction causes a psychic dissonance, or a mental contradiction of belonging; to exist in-between is to exist uncannily. “In-betweenness” is represented by images of my body fractured and separated into limbs and torsos as a metaphor for the split psyche. By referencing traditional tropes within art history, such as flowers, fruit, the nude, and death portraiture, I redefine myself in my own terms from the ground up.
Library of Congress Subject Headings
Photography, Artistic; Still-life photography; Photography of the nude; Abject art; Mixed media (Art); Human figure in art
Publication Date
4-23-2020
Document Type
Thesis
Student Type
Graduate
Degree Name
Photography and Related Media (MFA)
Department, Program, or Center
School of Photographic Arts and Sciences (CAD)
Advisor
Joshua Thorson
Advisor/Committee Member
Angela Kelly
Recommended Citation
Chan, Jin, "You Know that Feeling You Get Right After You Vomit? Yeah, I Want to Feel That." (2020). Thesis. Rochester Institute of Technology. Accessed from
https://repository.rit.edu/theses/10631
Campus
RIT – Main Campus
Plan Codes
IMGART-MFA
Comments
student uses name of Ian and Jin.