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Documents from 1995

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A Personal mobile computer (a notebook computer without a keyboard), Kwan-Sik Cho

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Effective communication in interactive media through application of Gestalt principles, Cheryl R. Cicha

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Intelligent user interfaces and the Internet, William Colgrove

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The "New" new typography?: A Critical view of the state of typography, Joseph DiGioia

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Adaptable rescue system, Matthew George Goulet

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The Rochester Institute of Technology: An Interactive computer disk, Lim Hee-Kyung

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Asian and American graphic design: A Theoretical and cultural comparison, Aaron Liu

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Energizing the structure by designing the interior with the currents of the space, Li-Chin Liu

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From computer to video, Susan Michelle Masters

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The Caldwell theater complex, Cameron Taylor McKee

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The Interrelationship of graphic design and fine art, Antoinette Monnier

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English-Spanish-American Sign Language translation program, Janise Maria Negron

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The Acura NSXpert: An Interactive Brochure, Chanchai Ngamwithi

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Corporate identity systems and color publishing on the Macintosh, Mary Parell

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Alice a digital imaging system, Fred Simon

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Academy Retzor: Teaching social skills through computers, Cynthia Stilwill

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The Influence of format on accessibility, Audrey Sumberg

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A New solution to corporate communications: An Interactive multimedia annual report, Wen Wan Teo-Wong

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Motion in graphics, Jung-mei Tsen

Documents from 1994

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AdTech interactive media network, Steven Buccellato

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MetroMax: A Multifunctional storage unit furniture design, YaoMing Chuang

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Semiotics and cross-cultural communication, Lingya Dubinsky

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The Graphic design history archive project, Catherine Elkin

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The Spatial experience in visual communication, Ya-Li Hsu

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The contributions to the history of graphic design by Dr. Robert L. Leslie and the Composing Room, Inc. 1927 - 1942, Erin K. Malone

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DAEDALUS: Cockpit flight management system, Jeffrey Paris

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The Significance of propaganda to the graphic design discipline, Joseph Piccillo

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Structural solutions as aesthetic expression, Richard Prisco

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CUPH: A Synergistic aquatic camera design, John Thaddeus Smokowski

Documents from 1993

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Cross-disciplinary use of methaphor, Jeff Arbegast

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Interactive instructional design, Anne Marie Arbutiski

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Desktop publishing applications for corporate graphic standards, Patricia Beckmann

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The Relationship between typographic design and photography: Effectively combining type with image, Kristen Leigh Bell

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IISMA: An Interactive information system, Connie Winfield Harvey

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Personal information system, Leonard Ko

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Digital camera: an interactive tutorial, Roger Martinez i Colom

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The Unified school, Roderick Martinez

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Symbols, Mary Therese McCann

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Graphic design career information, Danielle Grace Plouffe

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Graphic design archive: Masterworks portfolio, Daniel Pocock

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INshade: The Structure of a synergistic approach to product design, James Read

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DadaSHOW an interactive resource and reference database on the Dada art Movement, Melissa A. Sheldon

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Experiential design, Laurel Sisson

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Humor as an element in graphic design, Jason J. Snape

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Let wildlife live: A Computer illustrated calendar of endangered species, Mark S. Sommers

Documents from 1992

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Interactive origami, Wilai Asawadechsakdi

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Interactive magazine design, Raymond V. Carlson

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Monster spells, Amy Fossaceca

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The Aqua-dock: A portable, submergible scuba diving platform, Louis Iannone

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Eco battery exchange system, Rit Kasetsuwan

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Computers in college art and design programs, Marla Jo Keating

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CICC Information System, Chang-Mei Lin

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Muse as artist: Selected women artists past and present, Jennifer R. Mantooth

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Design planner: An Interactive guide for design planning, Roy J. Prochaska

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PresentationMaker graphic design archive module 3.2, Jane Settergren

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The Interactive orientation module for the electronic archive resource of the National Graphic Design Archive, Cynthia S. Smith

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Classicism: Seen through contemporary furniture, Mark Joseph Spadafora

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Graphic design and the unconscious codes, Michelle A. Stacy

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Design theory and methodology, Carla Tedeschi

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The Multiple dimensions of graphic design, Jongruja Mai Viseshsin

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Jazzberry's corporate identity, Hyekyung Yoon

Documents from 1991

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A Pen-based computer for the delivery person, Gwo-chyuan Chen

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Computer graphics archive: Prototype 1, Malinda D'Attilio

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A Graphic identity system for the Genesee Land Trust, Maria DeLauro

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The Electronic interpreter for the deaf, Young-jun Ko

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Private settings, Daniel Richard Kummerow

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Promotional program for the Center for Graphic Design History, Kanchen Rajanna

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Wanplex and Water Canyon, Hsin-Chen Wang

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The Fractal archive, Diing-Wuu Vale Wu

Documents from 1990

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Historic graphic design at RIT, L. Clay Girouard

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Graphic Design Archive prototype 3.0, David LaMarca

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A Graphic Identity program for Sculpture '91, Alexandra Felice Young

Documents from 1989

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Designing to increase user acceptance of respiratory protection, David Abkowitz

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Susan B. Anthony House graphic design program, Leuan Zumwalt Baker

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Interactive interface design: Graphic Design Archive prototype 2.0, Cathleen Britt

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HyperThesis: An Interactive report, Martha Conners

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Design facility utilizing VDTs, Glenn E. Enderby

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Navigational tool for the Graphic Design Archive, Ken Hayward

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A Marketing plan for a publication for the arts in Rochester, Carmen Indorato

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Liberation: Design that liberates rather than handicaps us, M. Amelia Kennedy

Documents from 1988

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Computer animation design and execution: integrating poetry and technology, Catherine Haven Kirby

Documents from 1987

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Visual organizational systems for the graphic designer, Michael P. Agoston

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Comparison of the mid-frequency line edge noise algorithms of Jim Hamerly and Yigal Gur for the best correlation to the psychophysical defect known as raggedness, Kevin Huff

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A series of fourteen posters, Ok-Hee Nam

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Educational/informational posters on graphic design, Sister Mary Kay Neff S.C.

Documents from 1986

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A semiotic approach to the study of symbols, Susan Dosick

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Graphic design archive on videodisc marketing and communication programs, John Benton Malinoski

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A comparison of two computer graphic systems, Andrew L. Mayer

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The Development of a modular poster design, Paul Hamilton Neville

Documents from 1985

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Identity Mark Evaluation and Organization Project, Brian Bennett

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Adaptive pattern recognition of hand-written Chinese characters using Fourier transforms of projection profiles, Der-Tsyi Chuang

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University of Rochester Medical Center symbol development, Nancy Fisher

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Toward a new visual vocabulary: a guide to syntactic variables in graphic design, Craig Malmrose

Documents from 1984

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Woodworking, sculpture, and industrial design: three major influences on my work, Terrence Brian Cray

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Constructed clothing: Fiber to finish, Catherine Grota Sahlin

Documents from 1981

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A visual synthesis, Mark Foster

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The Bausch & Lomb industrial design department identity program, Lorrie Frear

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Similarities between Chinese Taoism and Western graphic design, Lillian Yin-Ling Sung

Documents from 1980

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The Grid: Toward a Design Methodology, Robert Shaffer Kerr

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Oriental woodworking, Robert March