Abstract

Design as a functional outlet results from research that revolves around the user experience. It is a fair definition that seems to acknowledge today's standards of designing for the masses, prioritizing market-driven factors that include utility, manufacturability, and market demand. This approach aligns with contemporary design, but does it take ontological design out of the equation? Given that consumer consciousness determines what exists in the market, a design's nonvisual and deeply conceptual aspects may go unnoticed. While market research allows designers to anticipate and shape consumer desires, it is also an opportunity to delve deeper into the user's psyche, not for commercial gain, but to enhance well-being through emotional design. What emotions contribute to user welfare? And how can such a study be transmuted into a tangible user experience? This research explores how Art and Design interplay can materialize a product that carries more meaning beyond mere utility. The research about potential relational dynamics of art integration, interactivity, modularity, and intuitive design choices provides an in-depth look at how a product can be both a functional object and a signifier for creativity and self-expression in a living environment.

Library of Congress Subject Headings

Furniture design; Design--Psychological aspects; Art and design; Creative ability

Publication Date

5-2025

Document Type

Thesis

Student Type

Graduate

Degree Name

Industrial Design (MFA)

Department, Program, or Center

Design, School of

College

College of Art and Design

Advisor

Stan Rickel

Advisor/Committee Member

Melissa Dawson

Campus

RIT – Main Campus

Plan Codes

IDDE-MFA

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